practical guide
Yoga glossary of Sanskrit terms
In one breath
More than a hundred Sanskrit terms, grouped by where you meet them: the words a teacher says on the mat, the fragments posture names are built from, breath and energy, philosophy, and the texts. About twenty of them will carry you through an ordinary class.
On this page
- How to use this yoga glossary
- The words your teacher says in class
- How posture names are built
- Breath, energy and the subtle body
- Philosophy and the eight limbs
- Styles, texts and the words on a class timetable
- The terms in this glossary that have a page of their own
- How to say them, which no glossary tells you
- Where you actually pick these up
- Questions people ask
How to use this yoga glossary
This yoga glossary exists because of a specific moment I have watched many times: somebody in their first class hears four Sanskrit words in the first two minutes, decides the room contains a body of knowledge they do not have, and never comes back. The words are not a test. Most of them are ordinary descriptions of ordinary things, and several are simply the name of an animal followed by the word for seat.
More than a hundred terms are below, grouped by where you will meet them: the words a teacher actually says while you are on the mat, the parts that posture names are built from, breath and energy, the philosophy, and the texts and traditions. Where a full page exists on this site, the term links to it.
One note on spelling. Sanskrit is written in Devanagari and every Roman spelling is an approximation, so you will see shavasana and savasana, pranayam and pranayama, vrikshasana and vrksasana. None is wrong. This site drops diacritical marks throughout for the simple reason that URLs and search boxes do.
The words your teacher says in class
| Term | What it means |
|---|---|
| Asana | Posture. Literally a seat. Patanjali defines it as steady and comfortable, nothing more. |
| Savasana | Corpse posture. The final lying relaxation, usually five to ten minutes. Also written shavasana. |
| Vinyasa | Placing in a special way. In practice, movement linked to the breath, one movement per inhalation or exhalation. |
| Drishti | Gaze point. Where the eyes rest in a posture, which steadies balance more than anything else you can be told. |
| Bandha | Lock. A deliberate internal engagement, chiefly mula bandha at the pelvic floor, uddiyana at the abdomen and jalandhara at the throat. |
| Mudra | Seal or gesture. Usually a hand position, sometimes a whole body practice. |
| Namaskar | Salutation, greeting. As in surya namaskar, salutation to the sun. |
| Namaste | A greeting of respect, the palms together at the chest. In India it is what you say to a neighbour, not only at the end of a class. |
| Om | Also written aum. The primordial sound chanted at the start or end of practice. Chanting it is optional in any decent class. |
| Shanti | Peace. Chanted three times at the close, for peace in oneself, in others and in the world. |
| Kriya | Action, and specifically a cleansing practice such as neti or kapalabhati. |
| Sthira sukham | Steady and comfortable. The two qualities every posture is supposed to have at once. |
| Abhyasa | Sustained practice over a long time without a break. The one word that most predicts who is still practising in a year. |
| Vairagya | Non attachment, the companion of abhyasa. Practise hard, hold the results loosely. |
How posture names are built
Almost every asana name is a compound: a describing word plus asana. Learn about fifteen fragments and you can decode most of a class list without ever being taught it.
| Fragment | Meaning | Where you meet it |
|---|---|---|
| Tada | Mountain | Tadasana, mountain posture |
| Vriksha | Tree | Vrikshasana, the standing balance |
| Bhujanga | Serpent | Bhujangasana, cobra |
| Padma | Lotus | Padmasana, the classical sitting posture |
| Trikona | Triangle | Trikonasana |
| Adho mukha | Face downward | Adho mukha svanasana, downward facing dog |
| Urdhva | Upward | Urdhva hastasana, upward hands |
| Svana | Dog | Svanasana |
| Sarvanga | All limbs | Sarvangasana, shoulderstand |
| Sirsa | Head | Sirsasana, headstand |
| Hala | Plough | Halasana |
| Dhanura | Bow | Dhanurasana |
| Matsya | Fish | Matsyasana |
| Bala | Child | Balasana |
| Vajra | Thunderbolt, diamond | Vajrasana, the kneeling seat |
| Sukha | Ease, comfort | Sukhasana, the easy cross legged seat |
| Paschima | West, meaning the back of the body | Paschimottanasana, the seated forward bend |
| Purva | East, the front of the body | Purvottanasana |
| Parivritta | Revolved | Parivritta trikonasana, the twisted triangle |
| Supta | Reclining | Supta baddha konasana |
| Utthita | Extended | Utthita parsvakonasana |
| Ardha | Half | Ardha matsyendrasana, the half spinal twist |
| Eka pada | One foot or one leg | Eka pada rajakapotasana |
| Baddha | Bound | Baddha konasana, the bound angle or cobbler's posture |
| Kona | Angle | Konasana, baddha konasana |
| Uttana | Intense stretch | Uttanasana, the standing forward bend |
| Setu bandha | Bridge construction | Setu bandhasana, the bridge |
| Vira | Hero, warrior | Virabhadrasana, virasana |
Once those are in place, a name like utthita parivritta parsvakonasana stops being frightening and becomes a set of instructions: extended, revolved, side angle posture.
Breath, energy and the subtle body
| Term | What it means |
|---|---|
| Prana | Vital force, carried by and associated with the breath. Not merely air. |
| Pranayama | Regulation or extension of prana. The fourth limb, and the general name for the breathing practices. |
| Puraka | Inhalation. |
| Rechaka | Exhalation. |
| Kumbhaka | Retention of the breath, either after the inhalation or after the exhalation. The part that needs a teacher. |
| Anulom vilom | Alternate nostril breathing, with and against the grain. See anulom vilom. |
| Nadi shodhana | Channel cleansing. The fuller, classical name for alternate nostril practice with retention. |
| Bhramari | The humming bee breath, named after bhramari, a bee. See bhramari. |
| Ujjayi | Victorious breath. The soft ocean sound made by narrowing the throat, used throughout flowing practice. |
| Kapalabhati | Skull shining. Sharp exhalations from the abdomen. Classified as a kriya, not a gentle beginner practice. |
| Bhastrika | Bellows breath. Forceful inhalation and exhalation. Learn this one in a room with a teacher in it. |
| Sitali | Cooling breath, drawn over a curled tongue. |
| Nadi | Channel. The paths through which prana is said to move, of which ida, pingala and sushumna are the three principal ones. |
| Ida and pingala | The left and right channels, associated with the cooling and heating qualities, and with the two nostrils. |
| Sushumna | The central channel, along the spine. |
| Chakra | Wheel. The centres along the central channel, seven in the most common scheme. |
| Kundalini | The coiled energy said to rest at the base of the spine. Treated with great caution in the classical texts and with very little in modern marketing. |
| Mula bandha | Root lock, an engagement of the pelvic floor. |
| Uddiyana bandha | Upward flying lock, a drawing back of the abdomen after a full exhalation. |
| Jalandhara bandha | Throat lock, the chin drawn towards the collarbones. |
| Neti | Nasal cleansing, usually with a pot of saline water. |
| Yoga nidra | Yogic sleep. A guided lying practice of systematic relaxation while remaining awake. |
Philosophy and the eight limbs
| Term | What it means |
|---|---|
| Yoga | From the root yuj, to yoke or join. Union, and in the Sutra specifically the stilling of the movements of the mind. |
| Ashtanga | Eight limbs. The scheme in Patanjali's Sutra, and separately the name of a modern vigorous style. |
| Yama | Restraint. Five ethical practices concerning other people. |
| Niyama | Observance. Five practices concerning yourself. |
| Ahimsa | Non harming. The first yama and the foundation of the rest. |
| Satya | Truthfulness. |
| Asteya | Not stealing, including credit, time and attention. |
| Brahmacharya | Moderation, continence, not spending yourself carelessly. |
| Aparigraha | Not grasping or hoarding. |
| Saucha | Cleanliness, of body and surroundings. |
| Santosha | Contentment. |
| Tapas | Heat, and by extension disciplined effort. |
| Svadhyaya | Self study, and study of the texts. |
| Ishvara pranidhana | Surrender to something larger than yourself. |
| Pratyahara | Withdrawal of the senses. The turn from outward to inward. |
| Dharana | Concentration on a single point. |
| Dhyana | Meditation, concentration that has become continuous. |
| Samadhi | Absorption, the last limb. |
| Chitta vritti | The movements or fluctuations of the mind, which yoga is defined as stilling. |
| Klesha | Affliction. The five causes of suffering listed in the Sutra, of which ignorance is the root. |
| Karma | Action, and the consequences that follow it. |
| Guna | Quality. The three qualities of nature: sattva, clarity; rajas, activity; tamas, inertia. |
| Guru | Teacher, literally one who removes darkness. |
| Sadhana | Practice, in the sense of a whole disciplined path rather than a single session. |
| Mantra | A sound or phrase used as an object of concentration. |
| Japa | Repetition of a mantra, often counted on a mala of 108 beads. |
| Moksha | Liberation. The goal, in most Indian philosophical systems including this one. |
The eight limbs in the middle of that table have a page of their own, in plain language and without the sermon.
Styles, texts and the words on a class timetable
| Term | What it means |
|---|---|
| Hatha | Ha and tha, sun and moon. The tradition of physical practices, and in a modern timetable, a slower class of held postures. See hatha yoga. |
| Vinyasa | As a style, a flowing class where each movement is linked to a breath. See hatha vs vinyasa. |
| Iyengar | A precise, alignment focused method using props and long holds, named after B. K. S. Iyengar. |
| Ashtanga vinyasa | A vigorous modern style of fixed sequences, distinct from Patanjali's eight limbs despite the shared name. |
| Kundalini yoga | A style built on repetitive movement, breath and chanting, aimed at the energy of that name. |
| Yin yoga | Long passive floor holds, three to five minutes, aimed at connective tissue. |
| Restorative | Fully supported postures held with props, for recovery rather than effort. |
| Yoga Sutra | Patanjali's collection of 196 aphorisms, the foundational text of classical yoga. |
| Hatha Yoga Pradipika | A fifteenth century manual of asana, pranayama, mudra and kriya, and the source of much of what a modern class does. |
| Bhagavad Gita | The text that lays out yoga as a way of living and acting, including karma yoga, bhakti yoga and jnana yoga. |
| Karma yoga | The yoga of selfless action. |
| Bhakti yoga | The yoga of devotion. |
| Jnana yoga | The yoga of knowledge and enquiry. |
| Raja yoga | The royal yoga, the name often given to Patanjali's eightfold path as a whole. |
| Shala | A place, hence a yoga shala, the hall where practice happens. |
| Sadhaka | The practitioner. The one doing the sadhana. |
That is a hundred and seven terms, and there are thousands more in the tradition. You will need perhaps twenty of them to follow an ordinary class comfortably, and the rest will arrive on their own if you keep turning up.
The terms in this glossary that have a page of their own
Some of these words are ideas and some of them are things you do. The ones you do are written up in full elsewhere on this site, and this is the index into them.
Postures. Tadasana, mountain pose. Trikonasana, the triangle. Vrikshasana, the tree. Bhujangasana, the cobra. Adho Mukha Svanasana, downward dog. Balasana, child's pose. Savasana, the corpse pose, which is the most misleading translation in the whole vocabulary.
Breathing. Anulom Vilom and Nadi Shodhana, which are related and not identical. Bhramari, the humming bee. Ujjayi, the ocean breath. Kapalbhati, which is technically a cleansing practice rather than a pranayama at all.
Sequences and traditions. Surya Namaskar, the salute to the sun, and hatha, the word under which most of this is taught in India.
How to say them, which no glossary tells you
Every glossary gives the meanings and none of them gives the sound, which is the thing that actually stops an adult using a word. People read paschimottanasana, decide they will mispronounce it in front of a room, and say the seated forward bend for the rest of their lives. So here are the rules, and there are only six of them.
- Every letter is said. Sanskrit has almost no silent letters, so bhu jang gas ana has all of its syllables. Nothing is swallowed the way it is in English.
- The a at the end is short, and it is there. Asana is aa sa na, not a saan. It is closer to the u in but than to anything else in English.
- A doubled or lengthened vowel is genuinely held longer. The first a in asana is long and the other two are short, which is why the word sounds top heavy.
- The h after a consonant is a puff of air, not a separate sound. Bh, dh, th and ph are single consonants breathed out. Bhujangasana starts with a b and a breath, not with a b and an h. Hatha is hut ha, not hath a.
- Stress sits on the long syllable, not on the first. Tadasana is taa DAA sana. Trikonasana is tri KOH nasana. Savasana is shaa VAA sana. Get the long syllable in the right place and the rest is forgiven.
- V is soft, closer to a w. Vinyasa, vrikshasana and savasana are all softer in the mouth than an English v.
Applied to the four names people avoid most: paschimottanasana is pash chi mot taa naa sana; adho mukha svanasana is a dho moo kha shvaa naa sana; ardha matsyendrasana is ar dha mats yen draa sana; ujjayi is oo jaa yee, with the j doubled and held.
One reassurance, from a teacher who has heard every possible version of every word. Nobody in an Indian hall is grading your Sanskrit, and regional pronunciation varies enormously across this country anyway. Say it approximately and confidently. That is what everybody else in the room is doing, and it is a great deal better than not saying it.
Where you actually pick these up
A glossary is a reference and not a way of learning a vocabulary. What actually happens, and it happens fast, is that a teacher says the Sanskrit, then the English, and by the fourth class about fifteen words have attached themselves to movements you have made with your own body. That is a different kind of knowing from reading a table, and it takes weeks rather than months.
Two words are worth learning ahead of your first class because they are instructions rather than names, and hearing them cold is disorienting. Drishti means the gaze point, and being told to fix it is the single most useful correction in any balance. Savasana is the lying rest at the end, and knowing that it is a posture rather than a break stops people packing their bag during it.
Everything else can wait. The words for breath, puraka and rechaka and kumbhaka, arrive when the breathing does. The philosophy vocabulary arrives if you go looking for it, and the eight limbs page is where that starts. The posture names arrive one at a time, which is the only way they ever stick.
If it is the vocabulary rather than the postures that has been putting you off walking in, that is worth saying out loud, because it is the commonest reason people give and the easiest to solve. Come and sit at the back of a beginners' batch, listen for an hour, and count how few words there actually are. The timetable for the hall in north Bangalore and for the online batches is on the classes page, and a first class where the whole room is new is the one where nobody minds a mispronounced posture. The other thing that stops people, more often than the Sanskrit, is a stiff back, and yoga for back pain is the honest place to start reading if that is the reason you are here.
From Vaithialingam's class
I use fewer Sanskrit words now than I did at thirty, and I think that is the right direction. There was a period when I enjoyed the sound of the terminology in my own mouth, and a student eventually told me she had spent an entire term nodding at a word she thought meant relax and which actually meant the pelvic floor. Now I say the Sanskrit name once, say the English immediately after it, and then use whichever one the room is following. What I do keep is the naming of the postures, because the names are old and they are beautiful and they carry information: a person who knows that bhujanga means serpent has understood something about how the spine is meant to move in that posture that no cue of mine conveys as quickly.
This is what he sees in class, not a medical claim. Where this page states what a practice does for a condition, the evidence is in the sources cited on the page.
Vaithialingam, founder and teacher, 40 years of teaching.
Questions people ask
Do I need to learn Sanskrit to practise yoga?
No. About twenty terms will let you follow an ordinary class comfortably, and a good teacher gives the English immediately after the Sanskrit. The names are worth learning slowly because they carry information: knowing that bhujanga means serpent tells you something about how the spine moves in cobra.
Why are yoga poses named after animals and objects?
Because the name is the instruction. Almost every asana name is a describing word plus asana, meaning seat or posture: bhujangasana is serpent posture, vrikshasana is tree posture, halasana is plough posture. The image tells you the shape and often the quality the shape is meant to have.
What is the difference between asana and yoga?
Asana means posture, and it is one of the eight limbs of yoga described in Patanjali's Yoga Sutra. Yoga is the whole scheme, of which posture is one part, alongside ethics, breath regulation, sense withdrawal, concentration, meditation and absorption.
What does namaste actually mean?
It is a greeting of respect, offered with the palms together at the chest, and in India it is what you say to a neighbour or a shopkeeper rather than a ritual closing. Some teachers use it at the end of class and many Indian teachers do not use it that way at all.
Why is the same word spelled in different ways?
Sanskrit is written in Devanagari, so every Roman spelling is an approximation and several are equally correct: savasana and shavasana, vrikshasana and vrksasana, pranayam and pranayama. This site drops diacritical marks throughout, because URLs and search boxes drop them too.
What is a bandha, and should a beginner use one?
A bandha is a lock, a deliberate internal engagement. The three main ones are mula bandha at the pelvic floor, uddiyana bandha at the abdomen and jalandhara bandha at the throat. Mula bandha can be introduced early. The other two belong with breath retention and need a teacher in the room.
Is ashtanga a style of yoga or a philosophy?
Both, confusingly. Ashtanga means eight limbs and names Patanjali's eightfold path. Ashtanga vinyasa yoga is a modern vigorous style built on fixed sequences linked to the breath. When somebody on a timetable says ashtanga, they almost always mean the style.
Come to one class before you decide anything
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